30 September 2017, Safeco Field, Seattle, WA
I was a conscientious objector and then was most contrite. I made a huge deal about not wanting to see the Eagles continue without Glenn Frey, especially in such a colossal and overly expensive way, so I decided to boycott the Classic West Festival that played right in my vicinity in Los Angeles in July. And then on the day I was hopelessly depressed about not being there, on missing what was going to be a historic event…
22 July 2017, American Airlines Center, Dallas, TX
Don Henley decided to invite us all to his birthday bash and so off to Texas in the midsummer sweltering humidity of Dallas I went. My name is Debbie, after all, so any excuse to do Dallas…
7 June 2017, Grammy Museum and 8 June 2017, Greek Theater, Los Angeles, CA
It’s been a few months since I last wrote here (my Liv On review had a huge response), and now that my summer concert season has begun, it’s great to return with another strong woman artist, Sheryl Crow, who has intrigued me for more than two decades and always drawn me into her musical ventures.
11 February 2017, Saban Theatre, Beverly Hills, CA
This was a sweet, tender, and just slightly odd night. Sweet and tender because of three women whose voices individually and separately are delightful, whose signature songs are weighty and whose humility is endearing.
17 January 2017, Majestic Theatre, San Antonio, TX
At the final of three shows on my Texas mini tour (four if you count New Years Eve across the state line in Oklahoma), and maybe the last time I will see him with this particular 15-piece band behind him, in the gorgeous theatre that Don Henley performed in on Tuesday night in San Antonio the sound was excellent, the crowd was rowdy, the security was very slack, but as always the experience was mesmerising.
8 January 2017, Canyon Club, Agoura Hills, CA
When I heard an early preview of Timothy’s new album, Leap Of Faith, last year, I immediately said out loud, “This is Timothy’s time.” I meant it in a couple of ways. Musically, he’d reached a new level of buoyancy as a solo songwriter and performer; and also with the tragic ending of the Eagles, an insatiable need from Eagles followers and fans for connection with and music from the three remaining members, and a general interest from the media in the aftermath of that tragic ending meant – I believed – that Timothy’s solo work and subsequent touring would be more noticed than ever before.
11 December 2016, The Theater at Ace Hotel, Los Angeles, CA
When thinking about how I would describe this outstanding event I wondered what I could add to the detailed reviews in the LA Times and Billboard, the links for which are at the end of this report. While I can certainly speak to the excellent musicianship, the thoughtful choice of songs to represent Linda Ronstadt across all the genres of her repertoire – country, folk, rock, pop, standards, Mexican and more – and the seriously outstanding singing from the female performers on the bill, the greatest impression on me, what mesmerised and touched me, was the outpouring of love for Linda on stage, on the video tributes, and in the audience.